1913 saw the opening of Stravinsky's “The Rite of Spring” and New York overtake London as the world's busiest port; it was a caesura before great events.
这一年,史特拉文斯基的《春之祭》首次公演,纽约超过伦敦,成为全世界最繁忙的港口城市。
单词 | The Rite of Spring |
释义 |
The Rite of Spring
原声例句
经济学人-文艺 1913 saw the opening of Stravinsky's “The Rite of Spring” and New York overtake London as the world's busiest port; it was a caesura before great events. 这一年,史特拉文斯基的《春之祭》首次公演,纽约超过伦敦,成为全世界最繁忙的港口城市。 电台实验室 I mean the Rite of Spring is perfect evidence of the brain's astonishing plasticity. 我的意思是,《春之祭》完美地证明了大脑具有惊人的可塑性。 电台实验室 Yeah, because the Rite of Spring keeps being dissonant all the way through, so they can never get any rest. 罗伯特:是的,因为《春之祭》自始至终都是不和谐的,所以他们永远得不到休息。 演员对谈(双语精选) But I called Xavier Leroy and he had watched Simon Rattle, the great conductor Simon Rattle conduct " The Rite of Spring" , Stravinsky's Rite of Spring which is one of the most electric dynamic pieces of classical music you'll ever hear. 我打电话给泽维尔·勒罗伊,他看过伟大的指挥家西蒙·拉特指挥的《春之祭》,斯特拉文斯基的《春之祭》是你听过的古典音乐中最充满活力的作品之一。 电台实验室 Okay, so Robert, imagine inside the brains, inside the heads of the people in the audience listening to the Rite of Spring that night, were all of these neurons ... ROBERT: Yeah, I can hear them. 好吧,罗伯特,想象一下那天晚上听《春之祭》的观众的大脑内部,所有这些神经元… … 罗伯特:是的,我能听到它们。
中文百科
春之祭《春之祭》(法语:Le Sacre du Printemps)是俄罗斯作曲家伊戈尔·斯特拉文斯基(Игорь Фёдорович Стравинский)的代表作与成名作。本来是一部芭蕾舞剧,但后来脚本遗失,只剩下管弦乐总谱。 1910年,当斯特拉文斯基刚为戴亚吉列夫(Серге́й Па́влович Дя́гилев)完成了芭蕾舞舞剧《火鸟》的音乐后不久,他幻想出一个景象—那是俄罗斯远古时期的祭祖仪式:「我想像到一个肃穆的异教祭典:一群长老围成一圈坐着,看见一位少女被要求跳舞直至跳死。她是他们用以祭祀春天之神的祭品。」
英语百科
The Rite of Spring 春之祭![]() ![]() ![]() ![]() The Rite of Spring (French:Le Sacre du printemps; Russian:«Весна священная», Vesna svyashchennaya, lit. “sacred spring”) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky, with stage designs and costumes by Nicholas Roerich. When first performed, at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation and a near-riot in the audience. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece, and is widely considered to be one of the most influential musical works of the 20th century. |
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