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单词 Weyden
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Weyden

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罗希尔·范德魏登 Rogier van der Weyden

(重定向自Weyden)
Rogier van der Weyden, Cornelis Cort绘, 1572年
Calvario, óleo sobre tabla, 343 x 193 cm, Monasterio de El Escorial. Comprado por Felipe II a la cartuja de Scheut, próxima a Anderlecht, se instaló provisionalmente en al palacio de Valsaín. En 1574 se describe en el inventario de la primera entrega de obras artísticas al monasterio: «Una tabla grande en que está pintado Christo nuestro Señor en la Cruz, con Nuestra Señora y Sant Juan, de mano de masse Rugier».[4]
San Lucas dibujando a la Virgen, óleo sobre tabla, 137 x 110 cm, Boston, Museum of Fine Arts. Pintada hacia 1440, la composición muestra claras influencias de la Virgen del canciller Rolin de Jan van Eyck de quien, según escribía en 1456 Bartolomeo Facio, habría sido discípulo Van der Weyden, aunque ningún documento lo confirme.
Posible autorretrato de Van der Weyden, detalle del tapiz de las justicias de Trajano y Herkenbald, Berna, Musée d'histoire de Berne.

罗希尔·范德魏登Rogier van der Weyden荷兰语读音:[ʀoˈʝiːʀ vɑndəʀˈβ̞ɛˑɪ̯dən],约1399年或1400年-1464年6月18日),是15世纪下半叶尼德兰的画家,影响颇大,他出生于现今的比利时图尔奈,擅长肖像画,1450年曾出访意大利,促进了两地的艺术交流。

英语百科

Rogier van der Weyden 罗希尔·范德魏登

(重定向自Weyden)
After Van der Weyden, The Justice of Trajan and Herkinbald, detail from a lost painting, tapestry copy. This head is considered another probable self-portrait.[1]
Rogier van der Weyden, portrait by Cornelis Cort, 1572
The Descent from the Cross (c. 1435), oil on oak panel, 220 × 262 cm. Museo del Prado, Madrid
 Rogier van der Weyden - Portrait of a Woman with a Winged Bonnet

Rogier van der Weyden (Dutch: [roːˈɣiːr vɑn dɛr ˈʋɛi̯də(n)]) or Roger de la Pasture (1399 or 1400 – 18 June 1464) was an Early Netherlandish painter. His surviving works consist mainly of religious triptychs, altarpieces and commissioned single and diptych portraits. He was highly successful and internationally famous in his lifetime; his paintings were exported – or taken – to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists ('Vlaamse Primitieven' or 'Flemish Primitives'), and widely as the most influential Northern painter of the 15th century. Karel van Mander wrote that the great artistic contribution of Rogier van der Weyden lies in his ideas, his composition and rendering of the soul's expression through pain, happiness or anger, and the tempering of this emotional testimony to the subject matter of his work.

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更新时间:2025/6/21 17:21:11