Color Field

Kenneth Noland, Beginning, magna on canvas painting by Hirshhorn Museum and Sculpture Garden, 1958. Kenneth Noland working in Washington, DC., was a pioneer of the color field movement in the late 1950s.

Mark Rothko, No. 61 (Rust and Blue), 1953, 115 cm × 92 cm (45 in × 36 in). Museum of Contemporary Art, Los Angeles

Robert Motherwell, Elegy to the Spanish Republic No. 110, 1971. A pioneer of both Abstract Expressionism and Color Field painting, Robert Motherwell's Elegy to The Spanish Republic series embodies both tendencies.

Barnett Newman, Who's Afraid of Red, Yellow and Blue? 1966. Newman is seen as one of the major figures in abstract expressionism and one of the foremost of the color field painters.

Color Field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to Abstract Expressionism, while many of its notable early proponents were among the pioneering Abstract Expressionists. Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favour of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."

单词	Colour Field
释义	Colour Field 英语百科 Color Field Color Field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to Abstract Expressionism, while many of its notable early proponents were among the pioneering Abstract Expressionists. Color Field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favour of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
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Colour Field

Color Field