I told you the story about how Charlie Parker became Charlie Parker, right?

我和你说过吧 查理·帕克成名的故事？

Charlie Parker was from Kansas City.

查理·帕克来自堪萨斯城。

Today, we tell about one of America's greatest jazz musicians, Charlie Parker.

今天我们讲述美国最伟大的爵士音乐家之一查理·帕克的故事。

You're dealing with Charlie Parker and all the big bands and everything.

你要和查理·帕克（萨克斯演奏家）还有那些大乐队什么的去竞争。

It was in December, nineteen thirty-nine, that Charlie Parker made this discovery.

查理·帕克是在1939年12月发现这种新的演奏方式的。

Charlie Parker didn't know anybody till Jo Jones threw a cymbal at his head.

查理·帕克就没有朋友 直到乔·琼斯把镲片砸到他头上。

That year, Charlie Parker and Dizzy Gillespie took the new jazz sound to California.

那一年，查理·帕克和迪兹·吉莱斯皮把新的爵士乐带到了加利福尼亚。

Charlie Parker was born August twenty-ninth, nineteen twenty, in the middle western state of Kansas.

查理·帕克于1920年8月29日出生在美国中西部的堪萨斯州。

You know, Charlie Parker became Bird because Jones threw a cymbal at his head.

你知道吗 查理·帕克能成为大鸟是因为琼斯用镲片砸了他的脑袋。

Otherwise, we're depriving the world of the next Louis Armstrong.The next Charlie Parker.

否则我们就浪费了下一个路易斯·阿姆斯特朗 下一个查理·帕克。

John learned by listening to recordings of the great jazz saxophone players, Johnny Hodges and Charlie Parker.

约翰通过听伟大的爵士乐萨克斯管演奏家约翰尼·霍奇斯和查理·帕克的录音来学习。

Birdland had opened in nineteen forty-nine. It was named after Bird, as Charlie Parker's followers called him.

鸟园于1949年开始营业。查理·帕克的追随者们所称他为" 鸟" ，该夜总会就是以此命名的。

Watts taught himself to play by listening to records by Johnny Dodds, Charlie Parker, Duke Ellington and other jazz greats.

沃茨通过听强尼·道斯、查理·帕克和艾灵顿公爵以及其他爵士乐大师的唱片自学了演奏。

But is there a line? You know, maybe you go too far and you discourage the next Charlie Parker from ever becoming Charlie Parker. No, man, no.

但有底限吗 也许你太过了 结果让下一个查理·帕克彻底灰心无法成为查理·帕克了 不 不会。

Charlie Parker, Duke Ellington, and Billie Holiday.

查理·帕克、艾灵顿公爵和比莉·哈乐黛。

Charlie Parker expanded the vocabulary of jazz.

【vocabulary】查理·帕克拓展了爵士乐的表达形式。

Bill's iPod has Charlie Parker and Duke Ellington, those are two jazz artists, and Billy Holiday, who was a blues artist.

Bill 的 iPod 上有 Charlie Parker 和 Duke Ellington 这两位爵士乐艺术家，还有 Billy Holiday， 他是布鲁斯艺术家。

Are we, as humans, gaining any insight on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts?

作为人类，我们对如何谈论自己，以及对像查理·帕克的唱片这样抽象的东西如何让我们进入关于情绪和思想的对话，是否有了一些领悟？