In a memoir written in 1929, well after the end of the war, Tonks described the group—Stanley Spencer, Paul Nash, C.R.W.Nevinson, Mark Gertler, David Bomberg and Dora Carrington—as representing the Slade's last “crisis of brilliance”.

在写于1929年一战结束后的一篇回忆录中，Tonks把Stanley Spencer、Paul Nash、 C.R.W. Nevinson、Mark Gertler、David Bomberg 和Dora Carrington这几位艺术家描述成代表斯莱德最后的“辉煌的危机”。

Derek Jarman's yellow-tinted film Towards Avebury, a collection of long, mostly still shots of the Wiltshire landscape, evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.

德里克·贾曼 (Derek Jarman) 的黄色电影《走向埃夫伯里》(Towards Avebury) 是威尔特郡风景的长镜头集，大部分是静态镜头，唤起了从塞缪尔·帕尔默 (Samuel Palmer) 到保罗·纳什 (Paul Nash) 的英国风景画传统。