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单词 Neue Sachlichkeit
释义

Neue Sachlichkeit

中文百科

新即物主义 New Objectivity

(重定向自Neue Sachlichkeit)

新即物主义(Neue Sachlichkeit,亦称新客观主义)是绘画,文学与建筑相关的风格,特别对于1920年代深具意义。这个名称由1925年艺术评论家古斯塔夫·弗雷德礼西·哈特拉伯(Gustav Friedrich Hartlaub)受到在曼海姆(Mannheim)举办的回顾展的而联想命名。理解新即物主义,如同表现主义、达达主义与超现实主义等艺术理论的结合,且对社会写实主义有着深远的影响。

英语百科

New Objectivity 新即物主义

(重定向自Neue Sachlichkeit)
Made in Germany (Den macht uns keiner nach), by George Grosz, drawn in pen 1919, photo-lithograph published 1920 in the portfolio God with us (Gott mit Uns). Sheet 48.3 × 39.1 cm. In the collection of the MOMA
Panorama of the IG Farben Building from the south, demonstrating how the curved shape of the building's façade reduces the impact of its scale

The New Objectivity (in German:Neue Sachlichkeit) is a term used to characterize the attitude of public life in Weimar Germany as well as the art, literature, music, and architecture created to adapt to it. Rather than some goal of philosophical objectivity, it was meant to imply a turn towards practical engagement with the world—an all-business attitude, understood by Germans as intrinsically American: "The Neue Sachlichkeit is Americanism, cult of the objective, the hard fact, the predilection for functional work, professional conscientiousness, and usefulness."

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更新时间:2025/6/21 4:48:39