Modulation (music)

Common-chord modulation in the opening of Chopin's Prelude in C minor, Op. 28, No. 20.[4] Play

Modulation from D major to D♭ major in Schubert's Op. 9, No. 14, D. 365, mm. 17-24, using the German sixth, in the new key, that is enharmonic to the dominant seventh in the old key.[5] Play

Modulation between relative keys, C minor and E♭ major, using a common-tone, G, in Schubert's Op. 163 (D. 956).[8] Play

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6[10] ( Play with half cadence, Play with PAC) transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature. Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization.

单词	Direct modulation
释义	Direct modulation 英语百科 Modulation (music) In music, modulation is most commonly the act or process of changing from one key (tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature. Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization.
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Direct modulation

Modulation (music)