Some scholars view the Western canon—roughly the masterworks of composers from Josquin des Prez in the 15th century to Igor Stravinsky in the 20th—as a product of privilege.

一些学者将西方经典——大致上从 15 世纪若斯昆德普雷到 20 世纪伊戈尔斯特拉文斯基的作曲家的杰作——视为特权的产物。