In many ways the heyday of Hollywood were directors like Cukor, Capra, Sturges, created masterworks during a time when there was Great Depression.
很大程度上,好莱坞鼎盛时期的导演丘克、卡普拉、斯特奇斯,正是在大萧条时期拍出他们的代表作。
单词 | Cukor |
释义 |
Cukor
原声例句
哈佛大学《幸福课》 In many ways the heyday of Hollywood were directors like Cukor, Capra, Sturges, created masterworks during a time when there was Great Depression. 很大程度上,好莱坞鼎盛时期的导演丘克、卡普拉、斯特奇斯,正是在大萧条时期拍出他们的代表作。
中文百科
乔治·丘克 George Cukor(重定向自Cukor)
![]() 乔治·杜威·丘克(George Dewey Cukor,1899年7月7日-1983年1月24日),生于美国纽约,犹太人,美国电影导演,著名影星奥黛丽·赫本主演的经典轻喜剧电影《窈窕淑女》即是由他导演,并获得奥斯卡最佳导演奖。
英语百科
George Cukor 乔治·丘克(重定向自Cukor)
![]() ![]() ![]() George Dewey Cukor (/ˈkjuːkər/; July 7, 1899 – January 24, 1983) was an American film director. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to MGM in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg. |
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