The famous conductor of the Boston Symphony Orchestra, Serge Koussevitzky, learned about Copland's music.

波士顿交响乐团著名指挥家塞奇·库塞维茨基了解到科普兰的音乐。

Copland wrote about this in nineteen forty-one in his book, Our New Music.

1941年，科普兰在他的书《Our New Music》中提及这一点。

Summer in the Canadian Arctic this year has been 5 degrees Celsius above the 30-year average, Copland said.

科普兰德说，今年加拿大北极地区的夏季气温比30年平均水平高出5摄氏度。

Experts say Fanfare for the Common Man was an example of Copland's change in direction during the nineteen forties.

专家称《众人信号曲》是二十世纪四十年代科普兰朝着某个方向改变的实例。

Koussevitzky led the orchestra for the first performance of Copland's early work, Music for the Theater, in nineteen twenty-five.

1925年，库塞维茨基指挥管弦乐首次演奏了科普兰的早期作品《Music for the Theater》。

Copland spread his ideas about music in other ways.

科普兰以其他方式传播他的想法。

When he was in his early twenties, Copland went to Paris where he studied music with Nadia Boulanger.

20岁刚出头的时候，科普兰来到巴黎，在那里他和纳蒂亚·布兰捷尔一同学习音乐。

In nineteen eighty-two, Queens College of the City University of New York established the Aaron Copland School of Music.

1982年，纽约市立大学皇后学院成立阿隆·科普兰音乐学院。

Copland stopped composing at the end of the nineteen sixties. Yet he continued to be active as a conductor and speaker.

二十世纪六十年代末，科普兰停止作曲。但是他继续以指挥家和演讲家的身份活跃于舞台之上。