Pierre-Auguste Renoir observed that Manet was as important to them " as Cimabue or Giotto were to the Italians of the Quattrocento."
皮埃尔-奥古斯特·雷阿诺说,马内之于其拥护者,就如契马布埃或乔托之于十五世纪的意大利那样重要。
单词 | Cimabue |
释义 |
Cimabue
原声例句
经济学人-文艺 Pierre-Auguste Renoir observed that Manet was as important to them " as Cimabue or Giotto were to the Italians of the Quattrocento." 皮埃尔-奥古斯特·雷阿诺说,马内之于其拥护者,就如契马布埃或乔托之于十五世纪的意大利那样重要。
中文百科
契马布埃![]() ![]() ![]() ![]() 契马布埃(Giovanni Cimabue 意大利语:[tʃimaˈbuːe],亦称:Cenni di Pepo或Cenni di Pepi;1240年-1302年)意大利佛罗伦萨最早的画家之一。 他原为镶嵌画匠,相传为乔托的老师。所作《圣母和天使》、《圣母和圣·佛兰西斯》等,具有拜占庭绘画末期风格,又带有一些情味,对意大利文艺复兴时期的艺术,具有前奏的意义。
英语百科
Cimabue 契马布埃![]() ![]() ![]() ![]() Cimabue (Italian: [tʃimaˈbuːe]; c. 1240 – 1302), also known as Cenni di Pepo or Cenni di Pepi, was a Florentine painter and creator of mosaics. Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style, although he still relied on Byzantine models. The art of this period comprised scenes and forms that appeared relatively flat and highly stylized. Cimabue was a pioneer in the move towards naturalism; his figures were depicted with more lifelike proportions and shading. Even though he was a pioneer in that move, his Maestà paintings evidence Medieval techniques and characteristics. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. |
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