Through both raku and kintsugi  practices, the imperfect and damaged aspects of the ceramic ware are seen as beautiful, positive  portrayals of the natural experience of existence.

通过乐烧和金缮实践，陶瓷器的不完美和破损部分被视为自然存在体验的美丽、积极的写照。

For example, around the 13th to 15th century, Japanese tea  ceremonies were popularly used by the ruling class of Shoguns as a way of displaying  wealth, using extravagant ceramic ware to sip tea inside of lavishly ornamented  rooms under a full-moon.

例如， 大约在 13 至 15 世纪，日本茶道被幕府将军的统治阶级广泛用作展示财富的一种方式，他们在满月之下， 在装饰华丽的房间内使用奢华的陶瓷器皿品茶。