It's not just Borromini who feels it.

不仅仅是巴洛米尼意识到了这一点。

Borromini went on to become the great master builder of ever more eccentric and brilliant churches.

巴洛米尼继续做他的建筑大师，建造那些永远古怪而又卓越的教堂。

Here's the Borromini church, San Carlo delle Quattro Fontane.

这是由巴洛米尼建造的圣卡罗（San Carlo delle Quattro Fontane）教堂。

It's not that Borromini never gets commissions from the Pope again, it's just that it was Bernini who triumphed.

这并不意味者巴洛米尼以后就得不到委任了，而是贝尼尼最终取得了胜利。

Even the sour, old Pope Innocent X began to sweeten on Bernini, as Borromini skulked unhappily through the Vatican corridors.

即便是陈腐的英诺森十世也开始对他另眼相待了，巴洛米尼则躲在罗马教廷的廊间闷闷不乐。

For good and for ill, Borromini would play a pivotal role in Bernini's life.

但是好也罢坏也罢，巴洛米尼将会在贝尼尼生活中扮演一个非常重要的角色。

He turns to Borromini, who had no choice but to help.

他找到了巴洛米尼，后者也没有选择的余地。

Look at these two churches, just 200 yards away from each other, in Rome. One by Bernini, the other by Borromini.

看看这两座罗马教堂，它们仅相隔200码的距离，建造者一个是贝尼尼，另一个是巴洛米尼。

If two men were responsible for creating the look of baroque Rome, for making Rome Rome, those two men were Borromini and Bernini.

如果说有两个人应该为罗马的巴洛克式面貌，为罗马之所以成为罗马负责的话，那么他们就是贝尼尼和巴洛米尼。

Now, at this stage, Borromini was far more qualified than Bernini. He'd trained as an architect and was the obvious candidate for the job.

眼下，巴洛米尼应该比贝尼尼更合适，他接受过建筑师的训练，很明显他很够资格接下这个活儿的。

Architecture has always been a collaborative exercise, so it's not surprising to find that virtually all the drawings for the baldachino are by Borromini.

建筑通常是集体合作的结晶，所以毫不意外的，事实上祭坛华盖的所有图样的设计者都是巴洛尼尼。