White on White

Suprematist Composition: White on White (1918) is an abstract oil-on-canvas painting by Kazimir Malevich. It is one of the more well-known examples of the Russian Suprematism movement, painted the year after the October Revolution.

Part of a series of "white on white" works begun by Malevich in 1916, the work depicts a white square, portrayed off centre and at an angle on a ground which is also a white square of a slightly warmer tone. The work measures 31.25 by 31.25 inches (794 mm × 794 mm). Malevich dispenses with most of the characteristics of representational art, with no sense of colour, depth, or volume, leaving a simple monochrome geometrical shape, not precisely symmetrical, with imprecisely defined boundaries. Although the artwork is stripped of most detail, brush strokes are evident in this painting and the artist tried to make it look as if the tilted square is coming out of the canvas. Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and the slight tilt of the square suggests movement.

单词	White on White
释义	White on White 原声例句 GQ — 明星们的10种必需品 Nike stopped making white on white Cortez a year ago. 一年前，耐克停止在白色 Cortez 上制造白色。 GQ — 明星们的10种必需品 More white on white Nike Cortez, thank you. 更多白色耐克 Cortez，谢谢。 GQ — 明星们的10种必需品 Another thing I really take with me everywhere are these sneakers, white on white Nike Cortez. 另一件我真正随身携带的东西是这些运动鞋，白色耐克 Cortez。献给阿尔吉侬的花束 At first, he was lost against the damask tablecloth, a blur of white on white, until a woman at the table screamed, knocking her chair backwards as she leaped to her feet. 起先，它在锦缎桌布前迷失了方向，因为那就像一片模糊的白色压在白色之上。然后，桌前一位女士发出尖叫，并倏地跳起来，椅子往后推撞。英语百科 White on White Suprematist Composition: White on White (1918) is an abstract oil-on-canvas painting by Kazimir Malevich. It is one of the more well-known examples of the Russian Suprematism movement, painted the year after the October Revolution. Part of a series of "white on white" works begun by Malevich in 1916, the work depicts a white square, portrayed off centre and at an angle on a ground which is also a white square of a slightly warmer tone. The work measures 31.25 by 31.25 inches (794 mm × 794 mm). Malevich dispenses with most of the characteristics of representational art, with no sense of colour, depth, or volume, leaving a simple monochrome geometrical shape, not precisely symmetrical, with imprecisely defined boundaries. Although the artwork is stripped of most detail, brush strokes are evident in this painting and the artist tried to make it look as if the tilted square is coming out of the canvas. Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and the slight tilt of the square suggests movement.
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