弗拉基米尔·弗拉基米罗维奇·马雅可夫斯基（俄语：Владимир Владимирович Маяковский，1893年7月19日－1930年4月14日），前苏联著名诗人。

生于格鲁吉亚巴格达迪的一个林务官家庭，父亲是来自乌克兰的哥萨克人而母亲则是乌克兰人。学生时期曾参加过俄国社会民主工党的地下活动。早期诗作带有未来主义色彩。十月革命后的《我们的进行曲》、《革命颂》等诗作歌颂了十月革命，呼吁艺术家同革命结合。1919年后参加《罗斯塔之窗》工作，写诗作画同反对派进行斗争。1924年列宁逝世后，发表长诗《列宁》，深切悼念这位伟大的领袖。曾出访过法国、西班牙、墨西哥、美国等国家，写了《我发现美洲》、《百老汇》等国际题材的诗篇。还写有《臭虫》、《澡堂》等讽刺喜剧等作品。

Vladimir Vladimirovich Mayakovsky (/ˌmɑːjəˈkɔːfski, -ˈkɒf-/; Russian:Влади́мир Влади́мирович Маяко́вский; July 19 [O.S. July 7] 1893 – 14 April 1930) was a Russian Soviet poet, playwright, artist and stage and film actor.

During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement; being among the signers of the Futurist manifesto, A Slap in the Face of Public Taste (1913), and authoring poems such as A Cloud in Trousers (1915) and Backbone Flute (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal LEF, and created agitprop posters in support of the Communist Party during the Russian Civil War. Though Mayakovsky's work regularly demonstrated ideological and patriotic support for the ideology of the Communist Party and a strong admiration of Lenin, Mayakovsky's relationship with the Soviet state was always complex and often tumultuous. Mayakovsky often found himself engaged in confrontation with the increasing involvement of the Soviet State in cultural censorship and the development of the State doctrine of Socialist realism. Works that contained criticism or satire of aspects of the Soviet system, such as the poem "Talking With the Taxman About Poetry" (1926), and the plays The Bedbug (1929) and The Bathhouse (1929), were met with scorn by the Soviet state and literary establishment.