What Herzog cannot deny, however, is the beauty of Treadwell's footage.

然而，赫尔佐格不能否认的是，特德韦尔的镜头之美。

Now, Treadwell crosses a line with the parks service which we will not cross.

现在，特德韦尔触犯了公园管理处的底线，我们是不能越界的。

Having shot so much material, Treadwell often captured, as Herzog described it, that which Hollywood filmmakers can only dream of; .

正如赫尔佐格所描述的那样，特德韦尔拍摄了如此多的素材，经常捕捉到好莱坞电影制片人只能梦想的东西。

Treadwell's video camera happened to be rolling at the time and captured six horrifying minutes of his agonized screams.

崔德威尔的摄像机当时正好在转动，拍下了他痛苦尖叫的六分钟。

In one particularly relevant moment, Herzog considers the empty pauses between Treadwell running out of and coming back into the frame.

在一个特别相关的时刻，赫尔佐格考虑了特德韦尔跑出和回到画面之间的空白停顿。

Throughout the film, he expresses fundamental philosophical differences and places question marks to both the effectiveness of Treadwell's protective endeavors, as well as to the qualities of his character.

在整部电影中，他表达了基本的哲学差异，并对特德韦尔的保护努力的有效性以及他的角色的品质打上了问号。

Though it must be noted that whereas in The Fire Within, where Herzog has nothing but admiration for the Kraffts, in Grizzly Man, he is far more critical of Treadwell.

虽然必须指出的是，在《内心之火》中，赫尔佐格对克拉夫特一家只有钦佩之情，但在《灰熊人》中，他对特德韦尔的批评要严厉得多。