济安·劳伦佐·贝尼尼（Gian Lorenzo Bernini；又名Giovanni Lorenzo Bernini，1598年12月7日-1680年11月28日）意大利雕塑家，建筑家，画家。早期杰出的巴洛克艺术家。贝尼尼主要的成就在雕塑和建筑设计，另外，他也是画家，绘图师，舞台设计师，烟花制造者和葬礼设计师。

贝尼尼出生于那不勒斯的佛罗伦萨家庭，后跟随父亲彼得·贝尼尼（著名矫饰主义雕塑家）来到罗马。他早期的作品的灵感来自罗马帝国时期被运到罗马的希腊神话的雕塑。在这些作品中，有以羊奶哺育宙斯的仙女阿马尔塞（Amalthea，完成于1609年，现存于罗马博尔盖塞美术馆，以及一些寓言神话的半身像，如“堕落的灵魂”（Damned Soul）和“受祝福的灵魂”（Blessed Soul，完成于1619年，现存于罗马西班牙广场）。在1620年代，贝尼尼的雕塑逐步成熟，代表作是“保罗五世教皇”（1620年）、“被劫持的普洛舍宾娜”（1621年-1622年）、「大卫」（1623年）、「阿波罗与黛芙妮」（1622年至1625年）、以及广为人知的胜利之后圣母堂中的雕塑“圣德雷莎的狂喜”（1645年-1652年）。

Gian Lorenzo Bernini (Italian pronunciation: [ˈdʒan loˈrɛntso berˈniːni]; also Gianlorenzo or Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect. A major figure in the world of architecture, he was the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), also designing stage sets and theatrical machinery, as well as a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As architect and city planner, he designed both secular buildings and churches and chapels, as well as massive works combining both architecture and sculpture, especially elaborate public fountains and funerary monuments and a whole series of temporary structures (in stucco and wood) for funerals and festivals.