Tiffany glass

$Girl with Cherry Blossoms illustrates many types of glass employed by Tiffany including elaborate polychrome painting of the face, drapery glass for the dress, opalescent glass for the blossoms, streaky glass in the border, fracture-streamer glass in the background and what may be iridescent glass in the beads.$

Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll.

In 1865, Tiffany traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint".

单词	Tiffany glass
释义	Tiffany glass 原声例句 VOA Special 2018年9月合集 It holds the world's largest collection of Tiffany glass, with almost 250,000 pieces of all shapes and sizes. 它拥有世界上最大的蒂芙尼玻璃收藏品，拥有近 250,000 件各种形状和尺寸的玻璃制品。乔布斯传 He once took the team to see an exhibit of Tiffany glass at the Metropolitan Museum in Manhattan because he believed they could learn from Louis Tiffany's example of creating great art that could be mass-produced. 乔布斯还带着团队去曼哈顿的大都会博物馆参观蒂芙尼的玻璃制品展览，因为他觉得，大家可以从路易斯·蒂芙尼创造出可以量产的伟大艺术品这个例子中获益匪浅。英语百科 Tiffany glass $Girl with Cherry Blossoms illustrates many types of glass employed by Tiffany including elaborate polychrome painting of the face, drapery glass for the dress, opalescent glass for the blossoms, streaky glass in the border, fracture-streamer glass in the background and what may be iridescent glass in the beads.$ Tiffany glass refers to the many and varied types of glass developed and produced from 1878 to 1933 at the Tiffany Studios in New York, by Louis Comfort Tiffany and a team of other designers, including Clara Driscoll. In 1865, Tiffany traveled to Europe, and in London he visited the Victoria and Albert Museum, whose extensive collection of Roman and Syrian glass made a deep impression on him. He admired the coloration of medieval glass and was convinced that the quality of contemporary glass could be improved upon. In his own words, the "Rich tones are due in part to the use of pot metal full of impurities, and in part to the uneven thickness of the glass, but still more because the glass maker of that day abstained from the use of paint".
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