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So plays had to embrace the three unities: Unity of time, unity of place, and unity of action.
所以 戏剧必须包含三个一致：时间的一致、地点的一致和情节的一致。
三一律是意大利新古典主义时期戏剧学者Lodovico Castelvetro从亚里士多德的诗学中提取并教条化的三条准则：
亚里斯多德的提出「三一律」理论的初衷在于描述一种客观的形式，而非规定一种理想状态。
The classical unities, Aristotelian unities, or three unities are rules for drama derived from a passage in Aristotle's Poetics. In their neoclassical form they are as follows:
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