Rehearsing the play meant drilling actors in the Stanislavski system.

排练这部剧意味着要以“斯坦尼斯拉夫斯基体系”来训练演员。

He and Stanislavski clashed often. A Stanislavski wanted realism and Meyerhold wanted a theater that was unashamedly theatrical and dreamlike.

他和斯坦尼斯拉夫斯基经常发生冲突 斯坦尼斯拉夫斯基想要的是现实主义 而迈耶霍尔德想要的是毫无羞耻的戏剧性和梦幻般的戏剧。

In 1934, Clurman and his wife Stella Adler actually met and worked with Stanislavski.

1934年 克莱门和妻子斯特拉·阿德勒遇到了斯坦尼斯拉夫斯基并与之进行了合作。

A new direct and realistic acting style heavily influenced by the system of Russian director Konstantine Stanislavski.

受俄罗斯导演康斯坦丁·斯坦尼斯拉夫斯基体制的影响，一种新的直接和现实主义的表演风格。

If you've studied acting in the west, then you've probably experienced some version of Stanislavski's system.

如果你在西方学习过表演 那么你可能体验过斯坦尼斯拉夫斯基的表演体系。

Every single one of my friends who studied acting in college took a Stanislavski class.

我的每一个大学时学表演的朋友都上过斯坦尼斯拉夫斯基课。

And Stanislavski developed a hugely influential system to train those amateurs.

斯坦尼斯拉夫斯基开发了一个非常有影响力的体系来训练这些业余演员。

We'll be looking at the Group Theater, a hugely influential collective that tried to bring Stanislavski's theories to America.

我们会讲到“团体剧场” 即一个试图将斯坦尼斯拉夫斯基的理论带到美国的极具影响力的团体。

At one point, Stanislavski did suggest that actors should work with their own emotion memory to inhabit a role.

有一点 斯坦尼斯拉夫斯基确实建议演员应该运用自己的情感记忆来扮演一个角色。

I went to the Lee Strasberg school of acting, and Lee Strasberg's inspiration was Konstantin Stanislavski.

我去了李斯特拉斯伯格表演学校，李斯特拉斯伯格的灵感来自康斯坦丁斯坦尼斯拉夫斯基。

This is where acting coach Lee Strasberg inspired by Stanislavski's teachings had honed the method simply known as well The Method.

正是在这里，表演教练李·斯特拉斯伯格受到斯坦尼斯拉夫斯基的教诲的启发，磨练出了一种被称为“方法”的方法。

Stanislavski later discounted, but there are a few parts that we can pretty much agree on.

斯坦尼斯拉夫斯基后来对此不以为然 但有几个部分我们几乎可以达成一致。

But here's the thing. We don't really know what that system is. Stanislavski was always changing it.

但问题是 我们并不知道这个体系是什么 斯坦尼斯拉夫斯基一直在对其进行改变。

They wanted to form an ensemble as unified and skilled as the one Konstantin Stanislavski had created at the Moscow Art Theater.

他们想要组成一个像康斯坦丁·斯坦尼斯拉夫斯基在莫斯科艺术剧院创造的那种统一而多艺的团体。

And hang on to your seagulls everybody, because Stanislavski and realistic acting are coming to America courtesy of the group theater.

大家抓紧了 因为 斯坦尼斯拉夫斯基和现实主义表演将在团体剧院的帮助下来到美国。

The Stanislavski system or the less than 100% faithful version of it that we have today dominates western theater, film, and television too.

斯坦尼斯拉夫斯基体系 或者说我们现在拥有的并非百分之百忠实于该体系的其它版本 主宰了西方的戏剧界和影视界。

They staged mostly melodramas. But Namir Vich Den Chenko who we've mentioned and his partner famed theatre director Constantin Stanislavski wanted a theater devoted to realism and naturalism.

它们上演的大多是情节剧 而拿米尔威驰登辰蔻 我们之前提到过他 和他的搭档著名戏剧导演康斯坦丁斯坦尼斯拉夫斯基 想要一个演出现实主义和自然主义戏剧的剧院。