Restoration comedy

（重定向自Restoration drama）

The sumptuously decorated Dorset Gardens playhouse in 1673, with one of the sets for Elkannah Settle's The Empress of Morocco. The apron stage at the front which allowed intimate audience contact is not visible in the picture (the artist is standing on it).

Nell Gwynn was one of the first actresses and the mistress of Charles II.

Thomas Betterton played the irresistible Dorimant in George Etherege's Man of Mode. Betterton's acting ability was praised by Samuel Pepys, Alexander Pope, and Colley Cibber.

Restoration comedy refers to English comedies written and performed in the Restoration period from 1660 to 1710. Comedy of manners is used as a synonym of Restoration comedy. After public stage performances had been banned for 18 years by the Puritan regime, the re-opening of the theatres in 1660 signalled a renaissance of English drama. Restoration comedy is notorious for its sexual explicitness, a quality encouraged by Charles II (1660–1685) personally and by the rakish aristocratic ethos of his court. The socially diverse audiences included both aristocrats, their servants and hangers-on, and a substantial middle-class segment. These playgoers were attracted to the comedies by up-to-the-minute topical writing, by crowded and bustling plots, by the introduction of the first professional actresses, and by the rise of the first celebrity actors. This period saw the first professional female playwright, Aphra Behn.

单词	Restoration drama
释义	Restoration drama 原声例句大西洋月刊（文章版） Succession has a crackle and a bite that, at its best, gives it the feel of a Restoration drama. 《继承之战》有一张紧张感、刺痛感，最妙的是，给人一种复辟时期戏剧的感觉。英语百科 Restoration comedy （重定向自Restoration drama） Restoration comedy refers to English comedies written and performed in the Restoration period from 1660 to 1710. Comedy of manners is used as a synonym of Restoration comedy. After public stage performances had been banned for 18 years by the Puritan regime, the re-opening of the theatres in 1660 signalled a renaissance of English drama. Restoration comedy is notorious for its sexual explicitness, a quality encouraged by Charles II (1660–1685) personally and by the rakish aristocratic ethos of his court. The socially diverse audiences included both aristocrats, their servants and hangers-on, and a substantial middle-class segment. These playgoers were attracted to the comedies by up-to-the-minute topical writing, by crowded and bustling plots, by the introduction of the first professional actresses, and by the rise of the first celebrity actors. This period saw the first professional female playwright, Aphra Behn.
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