When I read Ray Bradbury as a kid, I wrote like Ray Bradbury—everything green and wondrous and seen through a lens smeared with the grease of nostalgia.

当我少年时代看雷·布拉德伯里的时候，我写的东西也像他——一切都翠绿青葱，充满神奇，仿佛透过被怀旧模糊的镜头看事物。

The Science Fiction and Fantasy Writers of America named an award in Bradbury's honor – the Ray Bradbury Award.

美国科幻小说和奇幻作家协会以布拉德伯里的荣誉命名了一个奖项——雷·布拉德伯里奖。

Science fiction writer Ray Bradbury supposedly puts each manuscript away for a year to the day and then re-reads it as a stranger.

科幻小说作家雷·布拉德伯里 (Ray Bradbury) 据说会将每份手稿存放一年直到今天，然后作为陌生人重新阅读。

Joan Didion, an American writer whom Ms Lange considers one of two great cultural critics of the mall (Ray Bradbury was the other), skewered their sameness long ago.

美国作家琼·迪迪翁 (Joan Didion) 被兰格女士视为购物中心的两位伟大文化评论家之一（另一位是雷·布拉德伯里），很久以前就对他们的同一性提出了质疑。

Mr Ball traces the concept of a parallel, synthetic reality back to " Pygmalion's Spectacles" , a short story of 1935 by Stanley Weinbaum, and later tales by Ray Bradbury, Philip K. Dick, Isaac Asimov and William Gibson.

鲍尔将平行合成现实的概念追溯到斯坦利·温鲍姆1935年的短篇小说《皮格马利翁的眼镜》，以及之后雷·布莱伯利、菲利普·K·迪克、艾萨克·阿西莫夫和威廉·吉布森笔下的故事。

That's what makes Ray Bradbury's novels and stories so interesting, because he talks about these things that we continue to talk about today – technology, how it affects us, how it affects the way we feel and think.

这就是雷·布拉德伯里 (Ray Bradbury) 的小说和故事如此有趣的原因，因为他谈到了我们今天继续谈论的这些事情——技术， 它如何影响我们， 它如何影响我们的感受和思考方式。