银匠式风格（西班牙语：Plateresco）是流行于西班牙帝国时代，前承哥特式，后启文艺复兴式的艺术风格，在建筑领域尤其著名。其流行时间达两世纪，在神圣罗马帝国皇帝查理五世治下达到顶峰。银匠式建筑以其雕饰花样繁复的立面而著称，空间布局上与哥特式仿佛。这种风格混合了摩尔人建筑、焰式建筑及伦巴第建筑的元素，甚至托斯卡纳的一些文艺复兴元素也参杂在内。萨拉曼卡是银匠风格艺术作品最集中的地区，此外莱昂和布尔戈斯及新西班牙的一些城市也有大量银匠风格建筑留存。在如今的学界，银匠风格多被当作是文艺复兴风格的一种，但有时也被视为一种独立的艺术风格。

Plateresque, meaning "in the manner of a silversmith" (Plata means silver in Spanish), was an artistic movement, especially architectural, traditionally held to be exclusive to Spain and its territories, which appeared between the late Gothic and early Renaissance in the late 15th century, and spread over the next two centuries. It is a modification of Gothic spatial concepts and an eclectic blend of Mudéjar, Flamboyant Gothic and Lombard decorative components, as well as Renaissance elements of Tuscan origin. Examples of this syncretism are the inclusion of shields and pinnacles on facades, columns built in the Renaissance neoclassical manner, and facades divided into three parts (in Renaissance architecture they are divided into two). It reached its peak during the reign of Charles V, Holy Roman Emperor, especially in Salamanca, but also flourished in other cities of the Iberian Peninsula as León and Burgos and in the territory of New Spain, which is now Mexico. Plateresque has been considered down to current times a Renaissance style by many scholars. To others, it is its own style, and sometimes receives the designation of Protorenaissance. Some even call it First Renaissance in a refusal to consider it as a style in itself, but to distinguish it from non-Spanish Renaissance works.