Riki Ott, used to be a fisherman in the area.

里奇·奥特曾是该地区的一名渔民。

Ms Ott is used to comparisons with high-profile performers.

人们把奥特和这些著名的演奏家们相比较。

I want to show some love to the Huskies up in Portland, Oregon, Alice Ott Middle School.

我想向俄勒冈州波特兰市爱丽丝奥特中学的哈士奇们表达我的爱。

Of course, the same goes for you, Ms. Ott and your students in Poughkeepsie, New York.

当然，奥特女士和您在纽约波基普西的学生也是如此。

Ms Ott was at her best in these moments, employing a lucid technique, warm touch and close ensemble with the orchestra.

运用娴熟的技术，温和的弹奏还有与乐队紧凑的配合，奥特最擅长弹奏这种风格的音乐。

All along the Mighty Nile, Mr. Evans and Ms. Ott are getting some recognition today in Hartford, South Dakota.

埃文斯先生和奥特女士今天在南达科他州哈特福德沿着强大的尼罗河沿岸获得了一些认可。

Ms Ott chose as her encore another popular concert-hall piece, Liszt's “Grandes ? tudes de Paganini No. 3”, nicknamed “La Campanella”.

奥特的返场曲目同样是一首著名的音乐会演奏曲目, 李斯特的“主题大练习曲第三首”诨名“钟”。

At 23, Ms Ott is just a year younger than Grieg, a 19th-century Norwegian composer, was when he penned his iconic-and only-piano concerto in 1868.

奥特今年23岁，只比1868年的格里格小一岁，这位19世纪的挪威作曲家在当时写下了他的代表作--也是唯一的--钢琴协奏曲。

Ms Ott delivered cascading double octaves, arresting chords and keyboard-sweeping arpeggios with great control The Royal Stockholm Philharmonic Orchestra also gave an impressive performance under Sakari Oramo.

为了诠释这部分的音乐，奥特准确地控制着和弦和琴键，如瀑布倾泻一样向下琶音弹奏两个八度。19皇家斯德哥尔摩爱乐管弦乐队，在沙卡里．歐拉莫的指挥下，也为大家呈现了一场印象深刻的演出。

Ms Ott, who always plays in bare feet, marked these nuances with an unusual lightness and a tenderness that is more often associated with the intimacy of chamber music or solo performances.

奥特一如既往赤脚上阵，轻盈而又柔和的诠释着这些微妙的情感，这种演奏方式更容易让人联想到细腻的室内音乐还有独奏表演。