Ossia [osˈsiːa] is a musical term for an alternative passage which may be played instead of the original passage. The word ossia comes from the Italian for "alternatively" and was originally spelled o sia, meaning "or be it" (Fallows 774). Ossia passages are very common in opera and solo piano works. They are usually an easier version of the preferred form of passage, but in Mily Balakirev's Islamey, for instance, the urtext has ossia passages of both types (simpler and more difficult). Bel canto vocal music also frequently uses ossia, also called oppure, passages to illustrate a more embellished version of the vocal line (Fallows 774). On the other hand, an ossia marking does not always indicate a change in difficulty; the piano solo music of Franz Liszt is typically full of alternative passages, often no easier or more difficult than the rest of the piece. This reflects Liszt's desire to leave his options open during a performance. Many of his ossia passages are cadenzas.