Most of us got, or were fortunate enough to meet Marcel Duchamp.
我们大多数人都有幸见过马塞尔·杜尚。
Marcel Duchamp
原声例句
华尔街日报
好奇的缪斯
The New York Dada is connected to the very famous Marcel Duchamp.
纽约达达市与非常著名的马塞尔·杜尚（Marcel Duchamp ）相连 。
TED演讲（视频版）双语精选
So Marcel Duchamp sent in a urinal, described [as] a fountain, and they rejected it.
马塞尔·杜尚提交了一座小便池，起名为《泉》，然后遭到了拒绝。
苏格兰国家美术馆
Installation artwork has roots in the 60's, with artists like Marcel Duchamp and Allan Kaprow.
装置艺术起源于60年代，艺术家有马塞尔·杜尚、艾伦·卡普洛等。
好奇的缪斯
On April 10, 1917, the Marcel Duchamp Fountain was not accepted for exhibition in New York.
1917年4月10日，马塞尔·杜尚喷泉未能在纽约展出。
VOA Special 2016年9月合集
In 1917, French-American artist Marcel Duchamp called a urinal connected to the wall a “Fountain.”
1917 年， 法裔美国艺术家马塞尔·杜尚 (Marcel Duchamp) 将连接在墙上的小便器称为“喷泉” 。
双语版 TED-Ed 演讲精选
In the following decades, conceptual artist Marcel Duchamp mocked it; Nazi art thieves pursued it; Nat King Cole sang about it; and museumgoers wielding stones, paint, acid, and teacups attacked it.
在接下来的数十年里，观念艺术家马塞尔·杜象把它改造成可笑的作品，纳粹艺术窃贼想得到它；纳金高唱和它有关的歌曲；去博物馆的人用石头、油漆、酸，和茶杯来攻击它。
历史
New York, 1917 The artist Marcel Duchamp prepares to exhibit his latest work at a show by the Society of Independent Artists.
纽约，1917 年 艺术家马塞尔杜尚准备在独立艺术家协会举办的展览上展示他的最新作品。
TED演讲（视频版） 2023年3月合集
There was an illustrious art exhibition in New York City in 1917, and they said, " You could send in anything you want, we'll accept everything." So Marcel Duchamp sent in a urinal, described [as] a fountain, and they rejected it.
1917 年纽约市举办了一场杰出的艺术展，他们说：“你可以送任何你想要的东西，我们什么都接受。 ” 所以马塞尔·杜尚 (Marcel Duchamp) 送来了一个小便器，被描述为喷泉， 他们拒绝了它。
中文百科
马塞尔·杜象
马塞尔·杜尚（法语：Marcel Duchamp，中国大陆译为马塞尔·杜尚，1887年7月28日－1968年10月2日）美籍法裔画家、雕塑家、国际象棋玩家与作家，二十世纪实验艺术的先驱，被誉为「现代艺术的守护神」。其作品对于第二次世界大战前的西方艺术有着重要的影响，达达主义及超现实主义的代表人物之一。他于15岁开始绘画，受立体主义、野兽派影响。作品多显示反战、反传统、反美学。
英语百科
Marcel Duchamp 马塞尔·杜象
![Marcel Duchamp, Nude (Study), Sad Young Man on a Train (Nu [esquisse], jeune homme triste dans un train), 1911–12, oil on cardboard mounted on Masonite, 100 x 73 cm (39 3/8 × 28 3/4 in), Peggy Guggenheim Collection, Venice. This painting was identified as a self-portrait by the artist. Duchamp's primary concern in this painting is the depiction of two movements; that of the train in which there is a young man smoking, and that of the lurching figure itself.[11]](/uploads/202501/26/Marcel_Duchamp,_1911-12,_Nude_(Study),_Sad_Young_Man_on_a_Train_(Nu_-esquisse-,_jeune_homme_triste_dans_un_train),_Peggy_Guggenheim_Collection,_Venice2120.jpg)
Henri-Robert-Marcel Duchamp (French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French, naturalized American painter, sculptor, chess player and writer whose work is associated with Cubism, conceptual art and Dada, although he was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art. By World War I, he had rejected the work of many of his fellow artists (like Henri Matisse) as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to put art back in the service of the mind.
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