Few have captured this as eloquently as Richard Linklater has with us in The Before Trilogy.

很少有人如理查德·林克莱特在《爱在三部曲》中一样将这种关系性诠释的如此动人心弦。

So Linklater created a group called Boys With Braids.

因此，林克莱特创建了一个名为“辫子男孩”的团体。

In shorts, it seems like a phase without much room for romance, which according to Richard Linklater is why we don't see many films about it.

总之，这个场景似乎一点也不浪漫，而根据理查德·林克莱特的说法，这正是许多电影不去展现给我们的。

It's also worth noting that Linklater included a female co-writer and allows Ethan Hawke and Julie Delpy to rewrite the script, to create an equal balance between male and female.

值得一提的是，林克莱特也请了一位女性作家一同书写剧本，同时也允许两位主演修改剧本，希望借以此在两性关系中达到一种平衡。

Instead, directors Richard Linklater and Luca Guadagnino avoid the overuse of close-up shots and include the environment as an active presence within the frame, making the dream worlds feel tactile and immersive.

实际上，理查德·林克莱特和卢卡·瓜达尼诺这两位导演都避免过度地使用特写镜头，并赋予画面里的环境以意义，让人能够走进这梦幻的世界。

Today, I want to look at each of these films to explore how Richard Linklater portrays these different stages of a relationship and effectively captures the evolution of love over a lifetime.

今天，我想要就这个系列聊聊理查德·林克莱特是如何刻画同一段感情的不同阶段，并把握住爱情在人生中的演变轨迹的。

It's a love that exists completely on its own, and I think Richard Linklater captures that beautifully by setting up this dreamlike scenario, stripped-down of everything except the connection between Jesse and Celine, creating an almost archetypal story of attraction.

这种爱是最纯粹的，我觉得理查德·林克莱特能将其把握的如此惊艳是因为他将除主角二人情感之外的东西都剔除了，创造了一部纯粹的关于相互吸引的的电影。