In Fear and Trembling, Kierkegaard's central theme is faith.

在《恐惧与颤栗》中，克尔凯郭尔的中心主题是信仰。

A word which was helpfully formulated by the philosopher Kierkegaard in 19th century, Copenhagen.

这个词是“忧虑”。多亏了19世纪哥本哈根哲学家克尔凯郭尔当年创造了它。

Didn't Danish philosopher Kierkegaard once say that anxiety is the dizziness of freedom?

丹麦哲学家克尔凯郭尔不是说过，焦虑是对自由的眩晕吗？

Here again, we see the influence of Kierkegaard and his concept of the self.

在这里，我们看到克尔凯郭尔的影响和他对自我的概念。

Though not exactly Kierkegaard, the material is well above the level needed to get by.

虽然没有像哲学家克尔凯郭尔的想法那样深奥，但这些问题远远高于入籍所需的水平。

Kierkegaard wrote extensively about this fundamental discomfort every human being experiences.

克尔凯格尔围绕这个话题曾写了大量的文字。

For Kierkegaard's reconciling this balance between the finite and the infinite is the only way out of despair.

对于克尔凯郭尔来说，调和“有限”与“无限”之间的平衡，是走出绝望的唯一途径。

Nonetheless, he leaves the reader with an incisive overview of philosophical thinking on love, from Plato to Kierkegaard to Lacan.

不过，对于从柏拉图到克尔凯郭尔再到拉康关于爱的哲学思想，他的概述可谓鞭辟入里。

Think of the pseudonymous indirection of Kierkegaard's authorship.

想想克尔凯郭尔作者身份的笔名间接。

And in talking about him we will unavoidably touch on Kierkegaard's indignant clash with Hegelian philosophy.

在谈论他时， 我们将不可避免地谈到克尔凯郭尔与黑格尔哲学的激烈冲突。

The  consequences, rather, of succumbing to anxiety and inaction, for Kierkegaard, is much, much worse.

相反，对于克尔凯郭尔来说，屈服于焦虑和无所作为的后果要糟糕得多。

The father of existentialism, the 19th Century Dane Soren Kierkegaard, believed in the Christian God, but argued reason and evidence can never prove that he exists.

存在主义之父、19 世纪的丹麦人索伦· 克尔凯郭尔 ( Soren Kierkegaard)相信基督教的上帝，但认为理性和证据永远无法证明上帝存在。

For Kierkegaard, the development of self is  dependent on the ability to face up to the anxiety of existence and move with and through it.

对于克尔凯郭尔来说，自我的发展取决于面对生存的焦虑并与之共处的能力。

Absurdism was pioneered by the Danish philosopher, Soren Kierkegaard, who said that, " As the reality of God is beyond human comprehension, it is absurd for humans to have faith in God."

生活是没有意义的.存在是没有目的的, 看看在这个锅里我有多少豌豆.

He turned into what Kierkegaard would call the aesthete — a man who has become hypersensitive to his potential, settling for nothing and only chasing bass pleasures and the momentarily interesting.

他变成了克尔凯郭尔所说的那种唯美主义者——一个对自己潜力极度敏感的人，他再也无法被满足，疯狂追求低级而短暂的欢愉。

Early on in his life, he was exposed to philosophical thinking, as his  father was very interested in philosophy himself, often reading and having conversations related to  it around young Kierkegaard.

他很早就接触到了哲学思想，因为他的父亲本人对哲学非常感兴趣，经常阅读哲学， 并与年轻的克尔凯郭尔讨论哲学问题。

In terms of his philosophical work,   one of Kierkegaard's most notable and profound contributions, the one that we will be  mostly focusing on here, was what he would term angst.

就他的哲学著作而言， 克尔凯郭尔最著名和最深刻的贡献之一，也是我们在这里主要关注的贡献之一，就是他所说的焦虑。

A person who according to Kierkegaard as someone who outwardly is indistinguishable from the crowd, but inwardly is constantly making this movement of infinity, this relating oneself to a higher source of the infinite.

根据克尔凯郭尔的说法，有此信仰的人外表看起来一如往常，但他的内心却在不断地做这种无限的运动，把自己和一个更高的、无限的源头联系起来。

The self is seen by Kierkegaard not as a noun, but as a verb, as that which relates to the relation between the finite and the infinite — two opposites that are present in all of us.

克尔凯郭尔认为“自我”不是一个名词，而是一个动词, 因为它与有限和无限之间的关系有关，这两种对立存在于我们每一个人身上。

Kierkegaard's framework and solution to this problem was faith in the  Christian God, but his philosophy, in some part, can arguably provide a premise that is applicable  to any subjective view of meaning and purpose.

克尔凯郭尔对这个问题的框架和解决方案是对基督教上帝的信仰，但在某种程度上， 他的哲学可以说提供了一个适用于任何主观的意义和目的观点的前提。