Beckett, by the way, could also be very serious, and as in Ionesco, the critic, Kenneth Tynan, famously once said, " Once you have seen all of Ionesco's plays, you have seen one of them."
还让我们认识了爱尔兰天才塞缪尔·贝克特, 他的作品相比前一位没有那么以犀牛为基础创作内核;以及英国作家纳夫·辛普森, 则根本就不是一个真正的荒谬主义者, 但确实非常非常有趣, 特别是在他的荒诞派代表作《响亮的叮当声》中显现的淋漓尽致.