Dr. Sheldon Cooper appearing in prose. That is to say, representing himself.

我是谢尔顿·库珀博士 自我辩护 也就是说 代表我自己。

He himself was an accomplished music and art critic, as elegant a wordsmith in prose as in speech.

他本人是一个颇有成就的音乐和艺术评论家，说起话来，用词文雅。

Written in prose as sinuous as the creatures themselves, “Otter Country” is a celebration of Britain's wild otters.

《水獭国度》是部英国野生水獭的颂典，其散文式风格如水獭自身一般流转。

And you see it popping up in early Middle English — not in prose, but in names.

你会看到它出现在早期的中古英语中——不是散文，而是名字。

He encouraged art and architecture; he wrote much in prose; all of his writing is in French.

他鼓励艺术和建筑； 他写了很多散文； 他所有的作品都是用法语写的。

(2)the first to set out, both in theory and practice, to write specifically a " comic epic in prose."

第一个在理论和实践上写出“散文喜剧史诗”的作家。

Writing in prose he achieved a style of his own which went as near poetry as narrative prose can do.

在散文写作中， 他形成了自己的风格， 这种风格与叙事散文一样接近诗歌。

I counted up to high numbers, to make sure of myself, and repeated passages that I knew in prose and verse.

我数到很大的数字，以确保自己，并重复我知道的散文和诗歌段落。

On a long table, also heaped with old books and papers, the proprietor was writing tireless prose in purple letters, somewhat outlandish, and on the loose pages of a school notebook.

在一张长桌上， 也堆满了旧书和文件，老板正在用紫色字体不知疲倦地写散文， 有点古怪，在学校笔记本的松页上。

Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse.

与此同时，不确定性依然存在， 变化的范围确实比任何人从女性发型的千篇一律以及散文和诗歌中最喜欢的爱情故事所想象的要广泛得多。

At the old, old clock oft wonders Nell, For she can't make out what it has to tell; She has ne'er yet read, in prose or rhyme, That it marks the silent course of time.

站在古老的时钟前，内尔满脸困惑，她无法理解它的诉说，她未曾读懂，散文或韵律诗，说时钟标记着时间沉默的轨迹。

Speaking of ekphrasis, Max Porter brings us The Death of Francis Bacon (Faber, January), a luminous novelette composed of seven pictures described in prose that seeks to elide the boundary between literature and visual art.

Max Porter 为我们带来了《弗朗西斯·培根之死》（Faber， 1 月刊）， 这是一部精彩的中篇小说， 由七幅散文描述的图片组成， 旨在消除文学与视觉艺术之间的界限。

Nathaniel Hawthorne, another editor, even objected to something in prose because to him " all ink-stained women were equally detestable." To the natural resentment against their intrusion into new fields was added that aroused by their ideas and methods.

另一位编辑纳撒尼尔·霍桑甚至反对散文式的东西，因为在他看来“所有沾墨的女人都同样令人厌恶”。除了对他们侵入新领域的自然怨恨之外，还增加了他们的想法和方法所引起的怨恨。