Byzantine Iconoclasm 圣像破坏运动

（重定向自Iconoclastic Controversy）

A simple cross: example of iconoclast art in the Hagia Irene Church in Istanbul.

Byzantine Iconoclasm, Chludov Psalter, 9th century.[1]

19th-century Italian painting, The Iconoclasts, by Domenico Morelli

Byzantine Iconoclasm (Greek:Εἰκονομαχία, Eikonomachía) refers to two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Eastern Church and the temporal imperial hierarchy. The "First Iconoclasm", as it is sometimes called, lasted between about 726 and 787. The "Second Iconoclasm" was between 814 and 842. According to the traditional view, Byzantine Iconoclasm constituted a ban on religious images by Emperor Leo III and continued under his successors. It was accompanied by widespread destruction of images and persecution of supporters of the veneration of images. The Western church remained firmly in support of the use of images throughout the period, and the whole episode widened the growing divergence between the Eastern and Western traditions in what was still a unified church, as well as facilitating the reduction or removal of Byzantine political control over parts of Italy.

单词	Iconoclastic Controversy
释义	Iconoclastic Controversy 原声例句里奇大叔带你欧洲行 To solve this controversy -- called the " Iconoclastic Controversy" -- a pope called a convention, the Council of Nicaea in the 8th century. 为了解决这个争论——被称为“反传统争论”——教皇召集了一个公约，在 8 世纪召开了尼西亚会议。英语百科 Byzantine Iconoclasm 圣像破坏运动（重定向自Iconoclastic Controversy） Byzantine Iconoclasm (Greek:Εἰκονομαχία, Eikonomachía) refers to two periods in the history of the Byzantine Empire when the use of religious images or icons was opposed by religious and imperial authorities within the Eastern Church and the temporal imperial hierarchy. The "First Iconoclasm", as it is sometimes called, lasted between about 726 and 787. The "Second Iconoclasm" was between 814 and 842. According to the traditional view, Byzantine Iconoclasm constituted a ban on religious images by Emperor Leo III and continued under his successors. It was accompanied by widespread destruction of images and persecution of supporters of the veneration of images. The Western church remained firmly in support of the use of images throughout the period, and the whole episode widened the growing divergence between the Eastern and Western traditions in what was still a unified church, as well as facilitating the reduction or removal of Byzantine political control over parts of Italy.
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