These figures, and even motion-captured figures, are too difficult to graft on human motion.

这些人物，甚至是动作捕捉的人物，都很难嫁接到人体动作上。

Then, to capture it all, a Steadicam operator referred to on set as " the human motion control" had to shoot every mirrored shot the exact same way.

然后，为了捕捉这一切，一名在片场被称为“人体运动控制”的斯坦尼康操作员必须以完全相同的方式拍摄每一个镜像镜头。

So I wanted to try and create similar kinds of motion studies of amputees walking, running, jumping, using this technology, and to think of them as motion studies of an enhanced human motion.

所以我想尝试使用这项技术对截肢者的行走、跑步、跳跃进行类似的运动研究，并将它们视为增强人体运动的运动研究。