Cameron's dual-pronged approach to HFR is bound to be controversial.

卡梅隆对HFR采取的双管齐下的方法注定会引起争议。

Perhaps most impressive, though, is that James Cameron has managed to craft the best high frame rate (HFR) movie yet.

然而，也许最令人印象深刻的是詹姆斯·卡梅隆成功地制作了迄今为止最好的高帧率（HFR）电影。

With Gemini Man, my brain got used to the hyper-reality of HFR within 15 minutes.

在《双子杀手》中，我的大脑在15分钟内就适应了HFR打造的超现实。

HFR also works in tandem with the sequel's more modern CG animation, making the Na'vi and their culture feel all the more real.

续集中HFR还与更现代的CG动画相配合，令纳美人和他们的文化愈加真实。

In 2016, he noted that HFR is " a tool, not a format, " and later he rejected Ang Lee's attempt at using HFR for Gemini Man's entire runtime.

2016年，他指出HFR是“一种工具，而不是一种格式”，后来他拒绝了李安在《双子杀手》的整个放映过程中使用HFR的尝试。

The Way of Water often jumps from hyper-real HFR to pseudo-24 fps in the same scene — at one point, I counted around a dozen switches in a few minutes.

《水之道》经常在同一个场景中从超实的HFR切换到伪24帧/秒——有一次，我数了数，在几分钟内切换了十几次。

That leads to 3D action scenes that feel incredibly immersive — at times HFR can make you forget that the lush alien wildlife on Pandora isn't real.

这使得 3D 动作场景能让人觉得极其的身临其境——有时 HFR 会让你忘记，潘多拉星球上郁郁葱葱的外星野生动物并不是真实的。

Rather than using HFR throughout the entire movie, Cameron relies on it for major action sequences, while slower dialog scenes appear as if they're running at 24fps.

卡梅隆并没有在整部电影中使用HFR，而是在主要的动作场景中使用它，而较慢的对话场景则以24fps的速度呈现。

The re-release of Avatar earlier this month also used a combination of HFR and traditional footage (in addition to brightening the picture and upscaling the film to 4K).

本月早些时候重新上映的《阿凡达1》也使用了HFR和传统镜头的结合（除了提高画面亮度，将电影尺寸提升到4K）。

After suffering through the interminable Hobbit movies in HFR, I figured the technology was mostly a waste of time, yet another money-grab that Hollywood can use to pump up ticket prices.

在经历了没完没了的用 HFR 的霍比特人电影之后，我觉得这项技术基本上是在浪费时间，是好莱坞用来抬高票价的又一个敛财工具。