The Grand Guignol was most popular during and after world war one.

“恐怖剧”在第一次世界大战期间和之后最受欢迎。

A few years after the Tatra Libre folded, metenie opened the tatra de Grand Guignol in paris in 1897.

在塔特拉·利伯维垮台之后 metenie于1897年在巴黎开设了teatro de 恐怖剧院。

Grand Guignol antecedent is melodrama with its anti-literary visually forward focus on sensation and surprise.

“恐怖剧”的祖先是音乐剧 其反文学的视觉前沿专注于感觉和惊喜。

Famous psychologist Alfred Binet was another popular Grand Guignol playwright and frequent De Lorde's collaborator.

著名的心理学家阿尔弗雷德·比奈是另外一个受欢迎的“恐怖剧”剧作家 曾多次和德·洛德合著。

The Grand Guignol became a huge tourist attraction. Interest petered out after the second world war.

“恐怖剧”成了一个巨大的旅游景点 第二次世界大战之后 人们对“恐怖剧”的兴趣也逐渐消失了。

It's not completely clear how or why audiences enjoyed the Grand Guignol.

目前还不完全清楚观众们是如何以及为什么喜欢“恐怖剧”的。

The Grand Guignol with all its rabies and insanity and troubling exoticism is another offshoot of French naturalism.

有着狂犬病、疯狂和令人不安的异国情调的“恐怖剧”其实是法国自然主义的另一个分支。

In its 65 years, the Grand Guignol produced about 1,200 plays.

65年时间里有大约1200部“恐怖剧”出世。

The name comes from Guignol, a character in the french version of the punch and judy puppet shows.

这个名字来自Guignol 他是法国版的《潘趣和朱迪》木偶戏中的一个角色。

It's all transformation, whether it's Grand Guignol or whether it's really like nuance, it's all transformational.

这一切都是转变，无论是 Grand Guignol 还是真的像细微差别，都是转变。

To make the short plays even more horrifying, the Grand Guignol developed a bunch of gruesome staged techniques too.

为了增强短剧的恐怖效果 “恐怖剧”也研发了一套吓人的舞台技巧。

But in 1915, he sold the Grand Guignol to Kamil Swasey who moved the acting away from naturalistic and toward a more stylized approach.

但在1915年 他把“恐怖剧院”卖给了卡米尔·斯瓦西 而斯瓦西将表演从自然主义转向了一种更独具一格的方式。

A discussion with Topsy about the guignol--as to whether the Punch was the same Punch they had seen last year in Cannes--having been settled, the family walked along again between the booths under the open sky.

与 Topsy 讨论木偶戏——关于 Punch 是不是他们去年在戛纳看到的 Punch——已经解决，一家人又在开阔的天空下的摊位之间走来走去。