It is a shame that Gertler's wartime masterpiece, “Merry-Go-Round” (1916) , hanging in Tate Britain, is missing from this show, as is Nash's important 1919 work “The Menin Road”.

很遗憾，Gertler在战争期间的杰作《旋转木马》（1916）现藏于泰特英国美术馆，没能参加此次展出，Nash创作于1919年的重要作品《曼宁路》也是如此。

Gertler, who like Bomberg was on a scholarship supported by the Jewish Education Aid Society, is represented here with clear, pure, Italianate paintings in a vein Tonks would have approved of.

和Bomberg一样，Gertler也受到犹太教育援助协会（Jewish Education Aid Society）的奖学金援助。在此画展中，Gertler具有意大利风格的代表作品明净、纯粹，Tonks也会认同这种风格。

In a memoir written in 1929, well after the end of the war, Tonks described the group—Stanley Spencer, Paul Nash, C.R.W.Nevinson, Mark Gertler, David Bomberg and Dora Carrington—as representing the Slade's last “crisis of brilliance”.

在写于1929年一战结束后的一篇回忆录中，Tonks把Stanley Spencer、Paul Nash、 C.R.W. Nevinson、Mark Gertler、David Bomberg 和Dora Carrington这几位艺术家描述成代表斯莱德最后的“辉煌的危机”。