But in particular, it was Fra Angelico's frescoes in Florence that excited Rothko the most.

但尤其令罗斯科兴奋的是安杰利科在佛罗伦萨的壁画。

Rothko aspired to do, what Fra Angelico does: Create in the viewer a feeling of contemplation, of transcendence, of having been transported to another purer world.

让观者产生一种沉思、超然、被带入另一个更纯净的世界的感觉。

Fra Angelico, equal parts monk and painter, fused medieval spirituality with early Renaissance techniques.

Fra Angelico 既是僧侣又是画家，他将中世纪的灵性与文艺复兴早期的技法融为一体。

He talked easily of Botticelli, and spoke of Fra Angelico with a faint condescension.

他谈起波提切利时轻松自如，谈起安吉利科修士时，他还带着一丝屈尊俯就。

" This is too much" ! cried the chaplain, striking petulantly at one of Fra Angelico's angels.

“这太多了” ！ 牧师叫道，暴躁地攻击安吉利科修士的一位天使。

She felt a little calmer then, and bought Fra Angelico's " Coronation, " Giotto's " Ascension of St. John, " some Della Robbia babies, and some Guido Reni Madonnas.

那时她感觉平静了一些， 买了 Fra Angelico 的《加冕礼》、乔托的《圣约翰升天》、一些 Della Robbia 婴儿和一些 Guido Reni Madonnas。