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单词 Flemish School
释义

Flemish School

中文百科

早期尼德兰绘画 Early Netherlandish painting

(重定向自Flemish School)
《阿尔诺非尼夫妇》,扬·凡·艾克,1434年。这幅早期尼德兰绘画作品是西方艺术史上最复杂的作品之一,其中运用了大量的象征性元素。[1][2]
《下十字架》,罗希尔·范德魏登,1435年
Virgen del Canciller Rolin de Jan van Eyck (Museo del Louvre, París).
Santa Bárbara, 1438, Museo del Prado de Madrid. La minuciosidad en el detalle es una de las características más notables de la pintura flamenca, como puede apreciarse en el paisaje que se contempla a través de la ventana de esta tabla de Robert Campin.

早期尼德兰绘画也称佛兰芒原始绘画荷兰语:Vlaamse Primitieven)是15及16世纪北方文艺复兴时勃艮第及哈布斯堡统治时的尼德兰地区的绘画作品,布鲁日、根特、图尔奈及布鲁塞尔是其重镇。这些作品主要属于国际哥特式艺术,先锋人物是1420年代开始活跃的扬·凡·艾克和罗伯特·坎平。早期尼德兰绘画的时代在1523年杰拉尔德·大卫去世不久之后结束。 但也有学者将结束时间延迟到荷兰起义爆发的1566至1568年间。早期尼德兰绘画的时闲段与前期文艺复兴到其全盛期这一时间基本重叠,但一般都与意大利文艺复兴分开来研究。在这一时期,中世纪欧洲北方艺术达到了顶峰。

英语百科

Early Netherlandish painting 早期尼德兰绘画

(重定向自Flemish School)
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London
Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid
The Ghent Altarpiece, completed in 1432 by Jan van Eyck. This polyptych and the Turin-Milan Hours are generally seen as the first major works of the Early Netherlandish period.
Hieronymus Bosch, The Garden of Earthly Delights, c. 1490–1510. Museo del Prado, Madrid. Art historians are divided as to whether the central panel was intended as a moral warning or as a panorama of paradise lost

Early Netherlandish painting refers to the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Tournai and Brussels. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568. Early Netherlandish painting coincides with the Early and High Italian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.

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更新时间:2025/6/23 10:39:42