By the way, Euripides can suck it.

顺便一说 让欧里庇得斯见鬼去吧。

Euripides, an ancient Greek playwright, was called a misogynes, or woman-hater.

古希腊剧作家欧里庇得斯被称为“misogynes”或“woman-hater”（两词均意为“厌女者”）。

Fourth grade are reading Euripides, Emerson and Shakespeare. These unteachable ones at the age of 10 are doing high school mathematics.

欧里庇得斯 爱默生和莎翁的作品 这些不可教的学生在十岁时 便可以做高中的数学。

But it destroyed many of the works of Aristotle, Aeschylus, Euripides, Sophocles and countless other ancient astronomers, mathematicians, poets, playwrights and philosophers.

但它烧毁了很多亚里士多德、埃斯库罗斯、欧力比德斯、索福克勒斯（希望人名木有查错）以及其他无数古代天文学家、数学家、诗人、剧作家和哲学家的著作。

In Euripides, everything that we think we know about tragedy begins to fall apart.

在欧里庇得斯那里， 我们自以为了解的关于悲剧的一切都开始分崩离析。

As for the poets, they have Aristophanes, Homer, Euripides, and Sophocles of Aldus's edition; and for historians, Thucydides, Herodotus, and Herodian.

至于诗人，他们有阿里斯托芬、荷马、欧里庇得斯和阿尔都斯版本的索福克勒斯；对于历史学家，修昔底德、希罗多德和希律王。

In Euripides, Electra has her hand on the sword, urging Orestes on with ruthless violence.

在 Euripides 中， Electra 手握剑， 用无情的暴力驱使 Orestes 继续前进。

But the truth is that this warping and subversion of tragic conventions is not restricted to Euripides.

但事实是，这种对悲剧传统的扭曲和颠覆并不仅限于欧里庇得斯。

Eventually, scales are brought onstage and the lines of Aeschylus and Euripides are weighed for their literary and moral heft.

最终，天平被带到舞台上， 埃斯库罗斯和欧里庇得斯的台词因其文学和道德的重要性而受到权衡。

The guidance of action by the gods in Aeschylus becomes sheer bloodlust in Euripides.

在埃斯库罗斯那里， 众神对行动的指导在欧里庇得斯那里变成了纯粹的嗜血。